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The globalization of filmmaking may be healthy for the industry in the long run—expanding markets, lowering costs, and spreading know‑how to new filmmaking hubs—but for Los Angeles–based crews, uprooting to live on far‑flung sets for months at a time can be profoundly disruptive and deeply undesirable. “Often you’ll be asked if you want to do a series,” Goffman says, “but you’ll need to move to another country that’s on another continent for six to nine months, away from your family.” Marjorie David, a producer and writer with 40 years in the business, says: “There’s a whole show I didn’t do, because I didn’t want to go live in Bulgaria.”
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